Hello and Hallo-welcome to another edition of Blood Thirsty Thursdays, where we watch films that are crucifix, holy water, and garlic heavy! You join your reviewers, Andy and Lilly, as they try to find sanctified ground to use for a hide out until dawn.
Today’s film offering: Dracula 2000
Lilly: Oh my gosh, guys, you have no idea how long I’ve been wanting someone else to have seen this film. Like anyone else. I’ve been holding in my childish glee over it for years. Sixteen, in fact. Well. More like fourteen, since I tried to watch it, rented it and all, and then got scared so didn’t try again for another two years. True story!
Andy: Also true: my IT teacher when I was in Year 8 had the poster for this movie on his wall, and that was my only exposure to this film until today.
Dracula 2000 is the story of a robbery gone wrong when it is discovered what a mysterious Mr. Van Helsing (oh ho hoooo) has been keeping in his private vaults is a certain member of the undead. Dracula! Yes! And oh, by the way, Mr. Van Helsing isn’t the grandson of Abraham, he IS Abraham. And Johnny Lee Miller is around. Oh, and then there is this girl, Mary, who keeps seeing Dracula in her dreams (when he is played by Gerard Butler, what is the problem there?), oh, oh oh, and there is a gang of thieves, and–well. It’s great, people. Think of every plot you could have tied to Dracula, and Wes Craven clearly already thought of it and put it in this film.
Andy: Yep, we’re back in the comforting arms of Mr. Craven, who when I pointed out he was probably Lilly’s favourite horror director, she responded “Huh. So he is.”
Lilly: Okay, all my excitement aside, I actually really like this film. First of all, Dracula. I have my favourites (Richard Roxburgh in Van Helsing and Keith Lee Castle in Young Dracula)–
Andy: What, no Christopher Lee? What is this?
Lilly: …but Gerard Butler brings up a close third with his predator romantic traitor take on the Count. There is some fantastic moments of showcasing his power, such as a cameraman watching the person he is filming get scratched along the neck to only realize Dracula is standing there once he pulls away from his camera–because vampires don’t show up on film! Get it! AhIloveit.
Secondly, throwbacks to the book. At the beginning, Mr.Van Helsing makes a joke about his grandfather not being worth a character created by some ‘Irishman’. But once it is evident everything is real, it kicks off! Van Helsing’s building is called Carfax, the main character has a roommate named Lucy, a Dr. Seward shows up, and the ways to kill vampires are narrowed down to the basics–silver or wooden stake to the heart, beheading. Boom. Vampire Basics 101.
The tone of the film definitely works with the topic matter–there are some over the top action sequences tied in with some over the top sex scenes and romancing between Dracula and Mary, and then there is the last third of the film, with scenes that just completely kick you in the face with plot, imagery, and twists.
Andy: And If I can talk about the twist for a second without spoiling it…
Lilly: SPOILER SPOILER WATCH FOR A SPOILER OR SKIP THIS BIT.
Lilly: Oh. No spoiler? FALSE ALARM. NO SPOILER. DON’T SKIP THIS BIT.
Andy: Anyway. There are some films where you feel like you should have seen the twists coming. Of course, Brad Pitt and Edward Norton are the same person! Of course, Bruce Willis is dead! Then there are others that come so far out of left field that there is no way you could have seen them coming.
Then there is this film.
It has a twist of such BATSHIT insanity that I laughed, yelled ‘WHAT!’, and felt impressed all at the same time. The movie, unfortunately, is not quite good enough to pull it off, but you’ve got to admire the sheer balls it took to make the decision to go in that direction. Seriously.
Lilly: Globe sized balls, really. And that twist is actually why I figured people wouldn’t like it, why I never really pushed it on others. And I’m not wrong, I don’t think. You got to be willing to really commit to that twist to be a fan of Dracula 2000, and that’s hard.
Andy: I would say it’s worth watching for the twist alone, but for the casual vampire fan there’s not as much new going on, other than a cool Dracula and a couple of cool scenes. The scene where his coffin first opens manages to be spectacularly creepy in a genuine way – something surprisingly rare for a Dracula movie. It’s certainly entertaining. And Christopher Plummer’s in it! Brilliant.
As for downsides, I can rattle them off pretty quickly – the soundtrack mostly sucks, filled with absolutely godawful nu-metal from twenty years back; there are definitely some actresses in here that suck (pun intended); it doesn’t do a very good job of exploring the few new aspects of vampire lore it does introduce aaand that’s about it. Although there are also possibly a few too many shots of people being thrown across rooms into things or through windows. It happens all the time for some reason.
Lilly: There are actors that suck, too, of course, but the women get to last longer because sex appeal. Which I can’t complain about since Gerard Butler is shirtless for a lot of the film for no reason, which I’m thankful for, so. Equal opportunity objectification? Yay? And yeah, the soundtrack doesn’t really help the film–at one point, you are hoping the music playing is just some shitty party mix they are walking by while wandering the streets of New Orleans.
Andy: But that twist though. What a ludicrous thing to run into. It’s like walking into someone’s bathroom and finding a jetski in the tub.
Lilly: Go, watch, en–wait, what?